1. Meta-Narrative is a post-modernistic theory, which partially suggests that stories are how we make judgments and decisions about personal, social, cultural, and religious people, actions, and beliefs. This would mean that rather than just to entertain, all versions of Fairy Tales are filled with connections to social, moral, or political questions and issues. In a Compare and Contrast, discuss the similarities, and differences, in the versions of the story that address one of these: the moral, social, or religious questions. Use the References below. References Ashliman, D. L. (2013, June 7). Sleeping Beauty. The University of Pittsburgh. Retrieved January 5, 2021, from https://www.pitt.edu/~dash/type0410.html Aranjuez, A. (2015). A different shade of evil: questions of ethics in Maleficent. Screen Education. (76), 8+. Retrieved February 1, 2021, from https://link.gale.com/apps/doc/A441157963/AONE?u=txshracd2544&sid=AONE&xid=fb31239e Khan, M. (2017). MALEFICENT: REIMAGINING “THE SLEEPING BEAUTY” WITH A POST-MODERNIST PERSPECTIVE. International E-journal of Advances in Social Sciences. Retrieved February 1, 2021, from https://pdfs.semanticscholar.org/1acb/5eff848a92d0f0938650253491b1f3da3ccc.pdf _ga=2.146331892.1191343539.1612929752-1730641483.1612929752. Reynolds, Kendra (2014). A Rude Awakening: Sleeping Beauty as a Metaphor for the Slumber of Post-Feminism. Journal of International Women’s Studies, 16(1), 34-46. Retrieved February 1, 2021, from https://vc.bridgew.edu/jiws/vol16/iss1/4. Semsar, S. (2014) “Sleeping Beauty through the Ages,” Ellipsis: Vol. 41, Article 31. Retrieved February 1, 2021, from https://doi.org/10.46428/ejail.41.31. Stromberg, R. (Director). (2014). Maleficent [Film]. Disney.
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